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Pull Focus: Michael Tucker and Petra Epperlein

Michael Tucker and Petra Epperlein have become chroniclers of the Iraq war-era America. (They bring some distance to the subject; she is German and he spent 12 years in Berlin.) Their documentaries—Gunner Palace, The Prisoner, or How I Planned to Kill Tony Blair, Bulletproof Salesman, and now How to Fold a Flag—carry us from 2003 to today. Their latest film follows four of the soldiers they met in Gunner Palace back into the lives they left behind.

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Pull Focus: Laura Waters Hinson

Laura Waters Hinson is a filmmaker and photographer based in Washington, DC. She is the founder of Image Bearer Pictures and recently launched the Living Bricks Campaign, a multi-media viewer project to support reconciliation efforts in Rwanda. Laura received a master of fine arts degree in filmmaking from American University, and was the winner of a Student Academy Award for Best Documentary for her film As We Forgive, a film about the reconciliation efforts between the victims and perpetrators of the 1994 Rwandan genocide. I interviewed her before a screening of her film at American University.

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Fair Use Inspires European Filmmakers

European filmmakers have been casting an envious eye at American documentarians for some time, for their ability to employ Fair Use. Fair Use, explained in the Documentary Filmmakers' Statement of Best Practices in Fair Use, has made making quality documentary films easier and cheaper, without impairing owners' copyright. Read more...

Fair Use at the UFVA Conference

I just got back from the annual University Film and Video Association (UFVA) conference in New Orleans. Although the association and the conference are generally for university professors who are teaching film and video production classes, the Center for Social Media has long been active with the UFVA, as we develop resources that can help filmmakers and teachers of filmmaking. Read more...

DMCA , Fair Use, Documentary Filmmakers and Remixers

On day two of the Copyright Office’s hearings about exemptions to the Digital Millennium Copyright Act (DMCA) , documentary filmmakers and remix artists and their supporters came to Washington, D.C. to show regulators the cost of criminalizing copying of popular culture. (Read about day one where the focus was on Fair Use and educators here.)Read more...